The Manufacture of Mozart: an upcoming book by Robert Newman

English author shows Jesuit control of the arts dating back 400 years

By Greg Szymanski, JD
Dec. 19, 2010

One of the most extraordinary theatrical events ever put on by the Papacy was when Gregory XV, the first Jesuit student to become Pope, canonized Ignatius Loyola.

Nowhere in the Bible is canonization condoned or authorized. It is simply a Vatican adaption of a pagan ritual wherein men are elevated to godlike status. Of course, the men elevated to ‘sainthood’ are chosen by men who have elevated themselves to godlike status without any particular Biblical authority.

And so the real live theatre at the Vatican continues today ever since Gregory’s brief pontificate of three years was marked by the blockbuster theatrical performance when Loyola, a bloodthirsty killer in the Pope’s army, was elevated to a pagan god on March 12, 1622.

Today schools and colleges are named after him. The Jesuits call him their guiding light in a world of darkness. And presidents and popes sit under his portrait when they meet in the Vatican for a beer and a friendly chat on how to create new crusades and genocides.

If you take the whole thing too seriously,  it will drive you nuts.

But if you look at it for what it is, good theatre without an ounce of truth, perhaps you can live through the next theatrical onslaught of Vatican and Illuminati madness bound to kill millions.

So what is this Vatican and Jesuit obsession with creating “great theatre”  in the real world and on the silver screen?To read the rest of this article subscribe now!